[Despanan]

http://en.wikipedia.org/wiki/Epic_Pooh

Moorcock criticises a group of celebrated writers of epic fantasy for children, including Tolkien, C. S. Lewis, and Richard Adams. His criticism is based on two principal grounds: what he sees as the poverty of their writing style, and a political criticism. Moorcock accuses these authors of espousing a form of "corrupted Romance", which he identifies with Anglican Toryism. The defining traits of this attitude are an anti-technological, anti-urban stance which Moorcock sees as ultimately misanthropic, that glorifies a vanishing or vanished rural idyll, and is rooted in middle-class or bourgeois attitudes towards progress and political change.
The title arises from Moorcock's argument that the writing of Tolkien, Lewis, Adams and others has a similar purpose to the Winnie-the-Pooh writings of A. A. Milne, another author of whom he disapproves: it is fiction intended to comfort rather than challenge.
Writers whom Moorcock cites approvingly, in contrast to his treatment of Tolkien, Lewis and Adams, include Terry Pratchett, Ursula K. Le Guin and Alan Garner.

From the Essay itself:

Originally Posted by Michael Moorcock

...[Tolkien] sees the petit bourgeoisie, the honest artisans and peasants, as the bulwark against Chaos. These people are always sentimentalized in such fiction because traditionally, they are always the last to complain about any deficiencies in the social status quo. They are a type familiar to anyone who ever watched an English film of the thirties and forties, particularly a war-film, where they represented solid good sense opposed to a perverted intellectualism...his beliefs permeate the book as thoroughly as they do the books of Charles Williams and C. S. Lewis, who, consciously or unconsciously, promoted their orthodox Toryism in everything they wrote...they are certainly deeply conservative and strongly anti-urban, which is what leads some to associate them with a kind of Wagnerish hitlerism. I don't think these books are 'fascist', but they certainly don't exactly argue with the 18th century enlightened Toryism with which the English comfort themselves so frequently in these upsetting times. They don't ask any questions of white men in grey clothing who somehow have a handle on what's best for us.