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Literature Please come visit. People get upset, write poetry about it, and post it here. Sometimes we also talk about books.

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Old 08-17-2007, 08:37 PM   #26
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Big hugs to the "Annabel Lee" fans. Seriously, no one gives this poem enough credit. "The Bells" is another underrated work.
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Old 08-18-2007, 11:47 AM   #27
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Quote:
Originally Posted by MollyMac
Big hugs to the "Annabel Lee" fans. Seriously, no one gives this poem enough credit. "The Bells" is another underrated work.
You really think they're underrated?

In highschool I had to study them ad nauseam.
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Old 08-18-2007, 11:54 AM   #28
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I also like poem 50 from Tennyson's In Memoriam.

Be near me when my light is low,
When the blood creeps, and the nerves prick
And tingle; and the heart is sick,
And all the wheels of Being slow.

Be near me when the sensuous frame
Is rack’d with pangs that conquer trust;
And Time, a maniac scattering dust,
And Life, a Fury slinging flame.

Be near me when my faith is dry,
And men the flies of latter spring,
That lay their eggs, and sting and sing
And weave their petty cells and die.

Be near me when I fade away,
To point the term of human strife,
And on the low dark verge of life
The twilight of eternal day.
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Old 08-18-2007, 02:07 PM   #29
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Quote:
Originally Posted by Umbrellacake
I remember this from somewhere. I think it was originally an epitaph.
either way, i hold onto it deeply for some reason.
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Old 08-19-2007, 02:36 PM   #30
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Quote:
Originally Posted by Underwater Ophelia
You really think they're underrated?

In highschool I had to study them ad nauseam.
All we studied were his short stories and the Raven; to the point where it seemed as if that was all he wrote. It may be a regional/school preference, then.
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Old 08-19-2007, 03:45 PM   #31
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Originally Posted by MollyMac
All we studied were his short stories and the Raven; to the point where it seemed as if that was all he wrote. It may be a regional/school preference, then.
Yeah, that makes sense. Or maybe I'm just COOLER THAN YOU!

snap!
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Old 08-19-2007, 04:12 PM   #32
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Oh no you di'int.

I'll bring it, bitch. i've done and brought'en it.
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Old 08-19-2007, 04:26 PM   #33
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Oh no you di'int.

I'll bring it, bitch. i've done and brought'en it.
::whips out firepoker and lunges:: KWAAAAAH!
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Old 08-19-2007, 04:45 PM   #34
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Lo, there do I see my father...
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Old 08-19-2007, 04:50 PM   #35
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Poetics of Desire
by Rina Singh

Throw away your papers tonight
put aside your pen
let your fingers
write on my body,
an empty page
a word,
a sentence,
write a poem
if your syntax hurts my skin
if I sigh, if I moan
just tighten your embrace
if your fingers stammer
dip them in darkness
and start again
fill up my margins
suffocate me with your grammar
proofread the madness
you have created
erase with your lips
any mistakes
your fingers make
read to me
what you have written
see the pages of my life
come alive
in your fingers
tonight.
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Old 08-19-2007, 04:55 PM   #36
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I Sat Belonely

*poem by John Lennon

I always loved the sense of humor and natural rhythm in this one:

I sat belonely down a tree,
humbled fat and small.
A little lady sing to me
I couldn't see at all.

I'm looking up and at the sky,
to find such wondrous voice.
Puzzly puzzle, wonder why,
I hear but have no choice.

'Speak up, come forth, you ravel me',
I potty menthol shout.
'I know you hiddy by this tree'.
But still she won't come out.

Such softly singing lulled me sleep,
an hour or two or so
I wakeny slow and took a peep
and still no lady show.

Then suddy on a little twig
I thought I see a sight,
A tiny little tiny pig,
that sing with all it's might.

'I thought you were a lady'.
I giggle, - well I may,
To my suprise the lady,
got up - and flew away.
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Old 08-19-2007, 05:00 PM   #37
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Tiger, Tiger

*poem by William Blake

Yet another poem that has inspired me with its wordplay:

Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?


In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?


And what shoulder and what art
Could twist the sinews of thy heart?
And, when thy heart began to beat,
What dread hand and what dread feet?


What the hammer? What the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?


When the stars threw down their spears,
And water’d heaven with their tears,
Did He smile His work to see?
Did He who made the lamb make thee?


Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
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Old 08-20-2007, 07:47 AM   #38
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The Tyger is great. When I first read it, it gave me chills.
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Old 08-23-2007, 01:02 PM   #39
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I absolutely love the works of Poe. Annabel Lee, The Raven, and The Bells are my favorite. In November I go to a Renaissance Faire and they have actors memorize and perform some of his plays and there is a guy who memorized The Raven and recited it really well. It's actually really fun.
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Old 08-23-2007, 01:13 PM   #40
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My favorite poem: "Stopping By Woods on a Snowy Evening" by Robert Frost.

"Whose woods these are I think I know.
His house is in the village, though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sounds the sweep
Of easy wind and downy flake.

The woods are lovely, dark, and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep."
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Old 08-27-2007, 05:56 AM   #41
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For me It's a toss-up between Tennyson's 'Maud' [Which is absurdly long, so I shall only insert an extract]:

O let the solid ground
Not fail beneath my feet
Before my life has found
What some have found so sweet;
Then let come what come may,
What matter if I go mad,
I shall have had my day.

Let the sweet heavens endure,
Not close and darken above me
Before I am quite quite sure
That there is one to love me;
Then let come what come may
To a life that has been so sad,
I shall have had my day.


I love the way it chops and changes, the tone and structure of it is constantly changing and the words themselves are beautiful.

My other favourite would have to be 'Ode to A Nightingale' By John Keats.

MY heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot, 5
But being too happy in thine happiness,
That thou, light-wingèd Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease. 10

O for a draught of vintage! that hath been
Cool'd a long age in the deep-delvèd earth,
Tasting of Flora and the country-green,
Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South! 15
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stainèd mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim: 20

Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last grey hairs, 25
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs;
Where beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow. 30

Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night, 35
And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways. 40

I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmèd darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild; 45
White hawthorn, and the pastoral eglantine;
Fast-fading violets cover'd up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves. 50

Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a musèd rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die, 55
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain—
To thy high requiem become a sod. 60

Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path 65
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that ofttimes hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn. 70

Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades 75
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:—do I wake or sleep? 80


Once again, a beautiful poem.

I could go into Byron...but then I'd never stop.
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Old 08-27-2007, 07:36 AM   #42
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My English lecturer HATES Byron, as does everyone else in my English group it seems. They see him as whiney and 'Woe is me' . . Which is a fair point I guess.

Poe's, 'The Black Cat' is probably one of my favourites, and 'Little Boy Lost' by Blake. [But most of Blake's poems give me tingles, as do Poe's]
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Old 08-27-2007, 03:28 PM   #43
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I've read alot about Byron's past, about some of the controversy surrounding him etc and whilst I have to admit that some of his poems are the whiny 'woe is me' sort, some of them are quite brilliant. You get alot of insight into who he was through them and he was a talented writer, it wasn't just his libido that made him so popular in his time.
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Old 08-28-2007, 10:40 AM   #44
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I agree, I think I only found him hard to study because everyone else moaned constantly and it made it tedious. I'd quite willingly read more of his work though - I quite enjoyed 'She Walks In Beauty' Gorgeous descriptions.
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Old 08-28-2007, 11:28 PM   #45
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Annabelle Lee, by Poe. Because it's all about death
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Old 08-28-2007, 11:48 PM   #46
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The Highwayman by Noyes

Part One

The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight, over the purple moor,
And the highwayman came riding
Riding-riding-
The highwayman came riding, up to the old inn-door.

He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle: his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark inn-yard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

And dark in the old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord's daughter,
The landlord's red-lipped daughter,
Dumb as a dog he listened, and he heard the robber say -

"One kiss, my bonny sweetheart, I'm after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way."

He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the West.

Part Two

I

He did not come in the dawning; he did not come at noon;
And out o' the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching-
Marching-marching-
King George's men came marching, up to the old inn-door.

II

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at her casement, with muskets at their side!
There was death at every window;
And hell at one dark window;
For Bess could see, through the casement, the road that he would ride.

III

They had tied her up to attention, with many a s******ing jest;
They bound a musket beside her, with the barrel beneath her breast!
"Now keep good watch!" and they kissed her.
She heard the dead man say-
Look for me by moonlight;
Watch for me by moonlight;
I'll come to thee by moonlight, though hell should bar the way!

IV

She twisted her hands behind her; but all the knots held good!
She writhed her hands till here fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one figure touched it! The trigger at least was hers!

V

The tip of one finger touched it; she strove no more for the rest!
Up, she stood up to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
Blank and bare in the moonlight;
And the blood of her veins in the moonlight throbbed to her love's refrain

VI

Tlot-tlot; tlot-tlot! Had they heard it? The horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming! She stood up strait and still!

VII

Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him-with her death.

VIII
He turned; he spurred to the West; he did not know who stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew grey to hear
How Bess, the landlord's daughter,
The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

IX

Back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high!
Blood-red were his spurs i' the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with a bunch of lace at his throat.

X

And still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding-
Riding-riding-
A highwayman comes riding, up to the old inn-door.

XI

Over the cobbles he clatters and clangs in the dark inn-yard,
And he taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
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At some point, you need to look yourself in the mirror and realize that what other people did to you does not define you as a person. You and your actions define who you are as a person. It's up to you to be a good person, in spite of all the evil you've faced. In fact, it should be because of the evil you see that it's good you do. Be the change you want in the world. Next time someone tells me that they're an asshole because they've had a bad life, I'm stabbing them in the eye with a spork.
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Old 08-29-2007, 03:56 AM   #47
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Quote:
Originally Posted by Vic
I agree, I think I only found him hard to study because everyone else moaned constantly and it made it tedious. I'd quite willingly read more of his work though - I quite enjoyed 'She Walks In Beauty' Gorgeous descriptions.
Yeah, that would make it difficult.
I really like 'Darkness' and 'And thou art dead, as young and fair.'
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Old 08-30-2007, 01:30 PM   #48
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I haven't read 'And thou art dead, as young and fair.' But I give it a look >.<

I found a really old book of Tennysons' poetry yesterday in my Uncles house. I've never read his work before - Any advice on where to start? [Directed to anybody..]
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Old 09-08-2007, 09:41 PM   #49
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Mine...

Hum, hum, hum...

I'd have to say my favorite poem is "Lenore" by Edgar Allen Poe. I've always thought it was a rather brilliant piece....

Ah, broken is the golden bowl! the spirit flown forever!
Let the bell toll!- a saintly soul floats on the Stygian river;
And, Guy de Vere, hast thou no tear?- weep now or nevermore!
See! on yon drear and rigid bier low lies thy love, Lenore!
Come! let the burial rite be read- the funeral song be sung!-
An anthem for the queenliest dead that ever died so young-
A dirge for her the doubly dead in that she died so young.

"Wretches! ye loved her for her wealth and hated her for her pride,
And when she fell in feeble health, ye blessed her- that she died!
How shall the ritual, then, be read?- the requiem how be sung
By you- by yours, the evil eye,- by yours, the slanderous tongue
That did to death the innocence that died, and died so young?"

Peccavimus; but rave not thus! and let a Sabbath song
Go up to God so solemnly the dead may feel no wrong.
The sweet Lenore hath "gone before," with Hope, that flew beside,
Leaving thee wild for the dear child that should have been thy bride.
For her, the fair and debonair, that now so lowly lies,
The life upon her yellow hair but not within her eyes
The life still there, upon her hair- the death upon her eyes.

"Avaunt! avaunt! from fiends below, the indignant ghost is riven-
From Hell unto a high estate far up within the Heaven-
From grief and groan, to a golden throne, beside the King of Heaven!
Let no bell toll, then,- lest her soul, amid its hallowed mirth,
Should catch the note as it doth float up from the damned Earth!
And I!- to-night my heart is light!- no dirge will I upraise,
But waft the angel on her flight with a Paean of old days!"


But I assume everybody's heard this piece before--a lot of english classes and what not cover his work as he was considered one of the fathers of American Gothic Poetry. Well, at least that's what the english teachers and professors say.
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Old 09-08-2007, 10:05 PM   #50
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Good one, raggedy Ann... I take it you heard Loreena McKennitt's or Phil Och's songs of "the Highwayman"?
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